{"id":2475,"date":"2021-03-27T19:33:27","date_gmt":"2021-03-27T17:33:27","guid":{"rendered":"https:\/\/alleegalerii.ee\/?post_type=portfolio&p=2475"},"modified":"2021-12-01T16:14:22","modified_gmt":"2021-12-01T14:14:22","slug":"malle-leis-lilled-xxii-1974-65-x-65-cm","status":"publish","type":"portfolio","link":"https:\/\/alleegalerii.ee\/en\/art-auctions\/malle-leis-lilled-xxii-1974-65-x-65-cm\/","title":{"rendered":"Malle Leis “Lilled XXII”, 1974. 65 x 65 cm."},"content":{"rendered":"

[vc_row equal_height=”yes” mobile_bg_img_hidden=”no” tablet_bg_img_hidden=”no” woodmart_parallax=”0″ woodmart_gradient_switch=”no” row_reverse_mobile=”0″ row_reverse_tablet=”0″ woodmart_disable_overflow=”0″][vc_column width=”2\/3″][vc_single_image image=”2480″ img_size=”full” parallax_scroll=”no”][vc_single_image image=”2477″ img_size=”full” parallax_scroll=”no”][vc_single_image image=”2479″ img_size=”full” parallax_scroll=”no”][vc_single_image image=”2478″ img_size=”full” parallax_scroll=”no”][vc_single_image image=”2476″ img_size=”full” parallax_scroll=”no”][\/vc_column][vc_column width=”1\/3″ mobile_bg_img_hidden=”no” tablet_bg_img_hidden=”no” woodmart_parallax=”0″ woodmart_sticky_column=”true” parallax_scroll=”no” mobile_reset_margin=”no” tablet_reset_margin=”no”][vc_column_text text_larger=”yes” css=”.vc_custom_1616254951031{margin-bottom: 0px !important;}”]<\/p>\n

Malle Leis “Lilled XXII”<\/h2>\n

[\/vc_column_text][vc_custom_heading text=”KEVADOKSJON 2021<\/p>\n

Serigraafia, 1974.
\nAll vasakul: Lilled XXII serigraafia 2\/24
\nAll paremal: M. Leis 1974. a.” font_container=”tag:h5|text_align:left” use_theme_fonts=”yes”][vc_column_text text_larger=”no”][\/vc_column_text][vc_column_text text_larger=”no”]<\/p>\n\n\n\n\n
M\u00f5\u00f5dud<\/th>\n65 x 65 cm<\/td>\n<\/tr>\n
Alghind<\/th>\n1400 EUR<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text text_larger=”no”]<\/p>\n\n\n\n\n
Pakkumisi<\/th>\n2<\/td>\n<\/tr>\n
Haamrihind<\/th>\n1450 EUR<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text text_larger=”no”]Malle Leisi (1940-2017) suurem kunstihuvi sai alguse juba P\u00e4rnus keskkoolis \u00f5ppides, mil tema suurimaks eeskujuks oli tollast kunstiringi juhendanud pallaslane Meeta Viks. Kunstihariduse omandamist j\u00e4tkas Leis Tartu Kunstikoolis ning ERKIs l\u00f5petades viimase 1967. aastal. Juba kooliajal koondus Leis koos teiste tollaste andekate kunstnikega avangardr\u00fchmitusse ANK64, mille nimekaid liikmeid \u00fchendas huvi laiema kunstihariduse, sh mujal maailmas ilma tegevate nimede ja suundade vastu.<\/p>\n

Armastus taimede vastu p\u00e4rineb juba Leisi lapsep\u00f5lvest, mil hoolimata pidevatest elukohavahetustest oli noorel t\u00fcdrukul alati enda lillepeenar, mille eest hoolitseda ning mille imelist maailma j\u00e4lgida. Lahtiste tulbi\u00f5ite\u00a0 pop-art<\/em>‘lik, seejuures elavalt loodusl\u00e4hedane dekoratiivsus m\u00f5jus uudselt k\u00f5igepealt tema \u00f5limaalis “Noored aednikud” (1968, Tartu Kunstimuuseum). 1970. aastatel ilmusid Malle Leisi efektsed serigraafiad – tehnika, mis oli kogu maailmas alles v\u00e4rskelt laineid l\u00f6\u00f6ma hakanud. Koos abikaasa Villu J\u00f5gevaga alustati suure innuga uudse tehnoloogiaga katsetamist nende Mustam\u00e4e korteris ning viimistleti seda niikaua kuniks l\u00f5puks saavutati tulemus, mida t\u00e4nased kunstis\u00f5brad h\u00e4sti tunnevad. Lilleserigraafiate seeria aval\u00f6\u00f6giks oli justnimelt kolme lahtist tulbi\u00f5it rohelisel foonil kujutav leht nr. 1, mis sarnaneb, ent pole identne oksjonil oleva 22. lehega, millele on v\u00f5rreldes esimesega lisandunud v\u00e4rsked lehed ning kammtehnikas lisatud abstraktne detail teose \u00fclaosas.<\/p>\n

Mark Soosaar on Leisi teoseid seostanud n\u00f5ukogude v\u00f5imu poolt mittesoositud lillelaste liikumisega, kus kunstniku \u00fcdini positiivsed, loodusega seotud teemavalikud olid justkui protestiks s\u00f5jalis-patriootliku kasvatuse vastu, mida tolleaegne v\u00f5im peale surus. See, kuidas Malle Leisil \u00f5nnestus hoolimata karmist poliitikast siiski v\u00f5ita nii publiku kui v\u00f5imude poolehoid, on omaette paradoksaalne n\u00e4htus.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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