{"id":15573,"date":"2024-04-01T11:22:58","date_gmt":"2024-04-01T08:22:58","guid":{"rendered":"https:\/\/alleegalerii.ee\/?post_type=portfolio&p=15573"},"modified":"2026-01-09T16:06:10","modified_gmt":"2026-01-09T14:06:10","slug":"henn-roode-rand-parnu-rajoonis-1967-68","status":"publish","type":"portfolio","link":"https:\/\/alleegalerii.ee\/en\/art-auctions\/henn-roode-rand-parnu-rajoonis-1967-68\/","title":{"rendered":"Henn Roode “Rand P\u00e4rnu rajoonis”, 1967\/68. 56 x 82 cm."},"content":{"rendered":"

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Henn Roode “Rand P\u00e4rnu rajoonis”<\/h2>\n

[\/vc_column_text][vc_custom_heading text=”KEVADOKSJON 2024<\/p>\n

\u00d5li kartongil, 1967\/68.
\nP\u00f6\u00f6rdel: “Rand P\u00e4rnu rajoonis“ 1967\/68 56 x 82 cm Henn Roode s 1924″ font_container=”tag:h5|text_align:left” use_theme_fonts=”yes”][vc_column_text text_larger=”no”][\/vc_column_text][vc_column_text text_larger=”no” woodmart_inline=”no”]<\/p>\n\n\n\n\n
M\u00f5\u00f5dud<\/th>\n56x 82 cm<\/td>\n<\/tr>\n
Alghind<\/th>\n3600 EUR<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text text_larger=”no” woodmart_inline=”no”]<\/p>\n\n\n\n\n
Pakkumisi<\/th>\n3<\/td>\n<\/tr>\n
Haamrihind<\/th>\n4000 EUR<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text text_larger=”no” woodmart_inline=”no”]R\u00fctmi ja geomeetriat j\u00e4rginud modernismiklassiku Henn Roode (1924-1974) loomingus oli alati olulisel kohal meri. See veev\u00e4li k\u00f6itis kunstnikku oma l\u00f5putu muutumise ja vaheldusrikkusega, see s\u00fcmboliseeris avarust, kontakti muu maailmaga, kuhu ei p\u00e4\u00e4senud, t\u00e4itmata unistusi, avarust ja perspektiivi.<\/span><\/p>\n

Suviti P\u00e4rnu kandis perega aega veetnud Roode on piirkonda k\u00e4sitleval teosel demonstreerinud end esialgu ilmeka joonega ekspressionistliku loodusmaalijana. Tema v\u00e4rvi- ja vormikasutus reedavad aga koheselt kunstniku tegelikku huvi fovismi ja abstraktsionismi maaliliste k\u00fclgede vastu. 2007. aastal Kumus toimunud Roode isikun\u00e4ituse \u201cModernist saatuse kiuste\u201d kuraator, kunstiteadlane K\u00e4di Talvoja on kirjutanud: \u201cPiiripealsus on Roode meetodite kirjeldamisel olulisemaid m\u00e4rks\u00f5nu, kui esmapilgul arvata v\u00f5iks. Tema loomingu p\u00f5hiparadoks seisneb selles, et sulgedes end struktuuride, v\u00e4rvide ja pindade vormimaailma, tegeles ta samas pidevalt vormi t\u00fchistamisega.\u201d (v\u00e4ljav\u00f5te n\u00e4itusega kaasnenud kataloogist, Eesti Kunstimuuseum, 2007) Just taoline kahe maailmaga n\u00e4iliselt korraga flirtimine muudab Roode loomingu, sh k\u00e4esoleva teose nauditavalt intrigeerivaks vaatem\u00e4nguks.\u00a0<\/span><\/p>\n

Tekst: Katre Palm, Harry Liivrand<\/em><\/p>\n

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